Graciela Perosio

Poetry books:

• Of the luminous error. Buenos Aires, 1982.
• Breaches of the wall. Buenos. Aires. Libros de tierra firme, 1987.
• The magician's twig. Buenos. Aires, Libros de tierra firme, 1990.
• The life waits. Bs. Aires, Editions of the Dock, 1995.
• The secret entrance, Buenos Aires Latin American Publishing group, 1999.
• Return to the source. Bs As. Del Copista (Córdoba) 2005.
• Sin andarivel (Swim lane), Córdoba, Editions Del copista, 2009.
• Balandro (Wherry), Bs.As, Paradiso Editions, 2014.

Research publications:

• "Forgetting and reminiscences in The Lost Steps" in History and myth in the work of Alejo Carpentier, Bs. Aires, García Cambeiro, 1972.
• "Ricardo Rojas. First professor of Argentine literature" in Chapter, History of Argentine literature, Buenos Aires CEAL, 1980 (in collaboration with Nannina Rivarola).
• "Foreword" to Eurindia of Ricardo Rojas, Buenos Aires, CEAL, 1980.
• "Literary criticism" in Chapter. History of Argentine literature. Buenos Aires, CEAL, 1980.
• "The professionalization of literary criticism", Anthology and foreword, Buenos Aires, CEAL, 1980.

Unpublished essays and articles:

• Juan Rulfo and the culture of poverty.
• It will mature with care and precision. A study on María Elena Walsh's poetry.
• Alfonsina Storni's last books. Reformulation of desire.
• Norah Lange's poetry. "A rosary of white beads."
• Juan Gelman. The construction of the impossible nest.
• "Casa Extrema". Carlos Latorre's poetry (in press, Magazine Hablar de Poesía).
• Aroldo Lewy and the Goddess Ananké (read at the presentation of the book Campo Compositivo Cúbico, Editorial Corín Luna, Museo Ricardo Rojas, 2000).

Ventures into other areas of creativity:

• In 1994 she held a painting exhibition titled Causas Desaparecidas at the Fundación Del Viso. It received critical acclaim in various television and print media.

Projection of her work:

• In 1995 Luis Bacigalup wrote an essay on her first four books of poems: Nudos de una lectura, read at the presentation of La vida espera, at the Museo Libero Badi, Fundación Banco de Crédito Argentino.
• In 1998 the visual artists Enrique Banfi and Silvana Perl incorporated poems of her authorship into the "urban installation" Fuente de poesía, which today stands as a monument in the city, in front of the National Library.
• In 1999 professor Aroldo Lewy dedicated a sculpture exhibition to her work, focusing especially on her book La vida espera. It was held at the Museo Luis Perlotti.
• In 1998 she was invited by the Legislature of the Autonomous City of Buenos Aires to lecture on Alfonsina Storni's work at the Homage that the legislature offered to the writer on the occasion of the creation of the prize bearing her name.